F Stop EMagazine

If you'd like to see contemporary photography by emerging artists, check out F-Stop, a free on-line photography magazine.  Each bi-monthly issue is dedicated to a specific topic, with the current issue focusing on "Cities."  Worth a check. http://www.fstopmagazine.com/home.html

Snapseed II

When it comes to creativity in photography, there are lots of options, both in camera and post-processing. In a post earlier this summer, I discussed a new app available for iPads (and possibly smartphones, but not desktop or laptop computers). It's called Snapseed and has an amazing array of special effects, most of which are fine-tunable by the photographer.

While India is a blaze of color, the simplicity in me likes the opportunity to boil an image down to its essentials. So, starting with a vibrant color photo, it took only a few adjustments in Snapseed to truly get down to the basics - almost a line drawing.  As with any photo of a person, the eyes probably matter the most, and that's obvious here.  I did not do selective work (meaning a different degree of adjustment on the eyes versus other elements of the photo), but rather and overall adjustment applied to the whole photo.  I love the result. Hopefully you will too!

Artist Registries

One way to get your art out there is to sign up for artist registries whenever you have the opportunity. I've been a registered artist in the Episcopal Church Visual Arts site for several years and have just had a photograph accepted into their latest open call "Of the Heart."   

http://ecva.org/exhibition/OfTheHeart/012ChuckKirchnerOTH2013.htm

Various organizations that you belong to may have artist registries as well.  Worth looking into if for no other reasons that to share your vision - and what better reason is there?!

Says It All

A picture is worth a 1000 words.  Or sometimes it emphasizes one word. A little panning motion shot at 1/13 of a second with the subject - Triumph - in focus. All the elements came together on this one - motion, both of bodies and of the drum stick, background totally blurred and a good depth of field in terms of the drum corps. Taken at the Pacific Northwest Highland Games, August 2013. The Triumph Street Pipe Band of Vancouver BC, one of the world's best pipe bands.

To Crop or Not to Crop

...that is the question.  When in doubt, probably best to stick with the original since that, at least in theory, was meant to be the photograph. Now, there will be times that even in our pre-visualization, we knew that we would need to crop the image due to the limitations of our camera/lens. But usually not. Still, when we get home and see the image on the screen, we realize that there are several potential "final" images (see my August 1, 2013 post for examples).

Sometimes its just not clear what is the "best" image size.  Here's my example from the 2010 NW Folklife Festival. The first is the uncropped version (I did change the original from full color to a "toned" photo to emphasize the mood that I felt). This one has a lot of white space, though with the rays of color emanating from the woman, it does add a overall degree of mystery and further emphasizes the woman.

 

The second is the cropped version, focusing in on the two figures, which emphasizes the coming and going of the two dancers. While the woman is still the main subject, due to her facing the camera and the modest color tone of her dress, there is a more equal weight between the two individuals.

 I like both images for very different reasons, for they really become two different concepts, with different emphasis, and there is nothing wrong with that. Just know WHY there are different ways of viewing the original image.

Yes, Photography is Art!

 

When I completed the book "Another Way of Telling," I immediately picked up the Aperture Masters of Photography book, "Alfred Stieglitz" and read the essay by Dorothy Norman. For Stieglitz, a photograph reflects what "one truly and most sacredly experiences oneself." He fought beginning in the 1880's for the stature of photography as an art form, a means of "expression to be respected in its own right, on the same basis as any other art form."


And speaking in the 1930's yet even more poignant for today's photographer, Alfred said that "Personally, I like my photographs straight, unmanipulated, devoid of all tricks ... But should any one want to go to his own particular photographic hell in his own particular way - manipulated, hybrid or whatever - I say, "Got to it. But go to it for all you are worth, the harder the better, insisting on your right of way without necessarily disregarding all traffic lights. And if you must disregard even those, I say: 'Go ahead full speed!'

Journey On!

Is Photography Art?

I just finished reading a provocative book by John Berger and Jean Mohr entitled "Another Way of Telling." Through several essays and several hundred photographs (mostly by Jean, augments by other photographers including Andre Kertesz), the author (John) and photographer (Jean) discuss photography as "fact" and limitations and ambiguities of photos. A very philosophical read so say the least. The section that caught my eye the most deals with photography as art.  Paul Strand thought of himself as an artist. Bruce Davidson thought his photos do no "pose as art." John Berger himself states that he does not consider photography as art, but rather "quote from appearances."

Personally, I do view photography as an art form and that I am an artist.  Now, does that mean that all 100 million photos taken in the average day are all art?  Well, no.  But when taken purposely, using one's vision, coupled with technical skills learned over time, a photograph becomes more than a snapshot, but becomes a creation of the photographer, the artist. The most powerful photographs, be it of a landscape or a person, convey emotion. This can be the f64 stillness of Yosemite or the blur of a peasant girl running beside a train in Indonesia hoping for something to change in her life (see Jean's photograph of pages 73-74 of the book this photo that will stick in my mind for a long time). The photographer conveys the emotion - conservation, concern for others, happiness, solitude, joy, sadness, love, hate, peace.  And if that's not art, well ...