Authenticity

There are those who feel that we should travel in certain ways - connecting with the locals - seeing certain sights - eating at certain "local" places. While I'm certainly one who wants to explore the cultures of the places I travel to and through, I really don't feel compelled to follow someone's dictates as to what constitutes the right way to travel. 

Gideon Lewis-Kraus book, "A Sense of Direction: Pilgrimage for the Restless and the Hopeful,"  relates stories about pilgrimages and the reasons why some of us do them these days. And the question becomes, if not done for the original reason (usually spiritual or religious), "is it still authentic?" And Gideon has a really noteworthy response: 

"My own feeling about authenticity is that we're all best off when we don't worry about it too much and just get on with the business of trying to travel in ways that feel meaningful to us, for whatever reason."

Know why you're traveling and make the journey your own - how more authentic and meaningful an experience can you ask for!

BTW, Gideon is interviewed on his pilgramage experiences on the WorldHum website: http://tinyurl.com/congnzz. 

Why Travel?!

Why travel? Because the world is out there - full of sights and sounds and people and cultures and landscapes. The travel experience presents new ideas and opportunities to understand and to be receptive to other cultures - whether of another state, region or country. It's also a great way to spend quality time with family or friends, to get away from everything and everyone, meet other people or just mellow out. Travel provides a chance to rekindle a romance, start a new one, or check out if you're really compatible! And, of course, there are airline and train seats that would otherwise go unused every day. Why Travel?  Because!

From the Introduction to "Journey On! Taking Your Travel Experience to the Next Level." Available from The Traveler, Bainbridge Island; Wide World Books, Seattle; your local bookseller, or through Amazon.com (http://tinyurl.com/c65bega).

Worthwhile Quotes

In this month's National Geographic Traveler, traveler Edward Readicker-Henderson wrote a fascinating piece on why he travels - and still travels to this day.  This in spite of the fact that doctors told him many years ago that his medical conditions would result in only months to live and would make travel impossible. 
Two memorable quotes:  "Whoever created the world went to a lot of trouble. It would be downright rude not to go out and see as much of it as possible."

and

"It's not a matter of better or worse, but simply this or that."

I especially like the latter; for most decisions, especially related to travel, there really isn't a right or wrong decision. Rather, its simply a choice between or among options, any of which could result in a serendipitous moment. And that is what travel is about.

Besides the NG Traveler article, Edward has a website with additional writings about his travels. http://www.routeofseeing.com/home.html

Upcoming Workshops & Presentations

Journey On! has a busy spring ahead.  Here is a list of workshops and presentations:

Presentation on my new book "Journey On! Taking Your Travel Experience to the Next Level," May 15, 7-8pm, Wide World Books, Wallingford neighborhood, Seattle.  Free

Vacation Photography
Monday evenings, June 4-25, 6:30-8:30pm at The Traveler, downtown Winslow, Bainbrige Island
Registration through Bainbridge Parks-and-Recreation. www.biparks.org.

How to Enjoy Your Vacation and Still Take Great Photos. This workshop focuses on taking photos you can be proud of while taking a vacation that you and your family can enjoy! We'll discuss how to prepare to take great photos, what to do while on vacation so that photography and vacation ae not mutually exclusive, and what to do once back home to share your photos in a way not to turn-off the viewer! All camera formats are welcomes - digital or film - but you need to know basic camera operations.

For more information, contact Chuck Kirchner at 206-780-5671 or chuck@chuckkirchner.com

Thin Places

This weekend's edition of the New York Times travel section has a thoughtful article on thin places," where heaven and earth come near. These are places that transform us. For me, it's the ocean's shore, especially the solitary experience of the north Pacific coast.

Other places that come to mind have been time spent observing, gazing at and photographing the floating Torii Gate on Miyajima Island, Japan (apropos, given that Torii Gates are considered the portal between the sacred and the profane, between heaven and earth); and an end-of-the-season journey to Skellig Michael, off the wild coast of County Kerry, Ireland.

There was a sense in these places of being other-worldly, of being at the edge, of longing to be there, of being called. Listen.      

http://tinyurl.com/8668x3j

OR

http://travel.nytimes.com/2012/03/11/travel/thin-places-where-we-are-jolted-out-of-old-ways-of-seeing-the-world.html?nl=travel&emc=edit_tl_20120310

Photography Tours

I'm generally not one to take organized tours. Whether I travel alone or with my family, I usually do all of the trip planning (with their input of course!), finding hotels, making air and car rental reservations, etc. But there is one exception - and that's the photography tour. I've been on four such out-of-the-country tours over the years.

•  Nevada Wier - Bhutan
•  Daniel Milnor/Adam Weintraub - Peru
•  Douglas Beasley - Guatemala
•  Deriusz Klemens - India

Could I have done these on my own?  Well, in three cases, probably. Bhutan is the exception (while independent travel is theoretically possible, the governmental requirements are such that practically everyone visits as part of a tour group). But by traveling with a group of photographers, led by a professional photographer (with local logistical assistance), you gain so much.  First, you get to hang out with the pros and with like-minded photographers and travelers. Second, the leaders know what time of day to be where and often the local assistants can arrange special access, etc.  Third, you live and breathe photography (and travel) for the length of the tour. Fourth, the interaction with the rest of the group actually improves your photography as well.  Many of my best photographs have come from these tours.  Now, admittedly, its really hard to go too-wrong in Bhutan, Peru, Guatemala and India - especially India.

What to look for in a photo tour:
1. Do you like the photographic style of the group leader? Always check the photographer's website and ask yourself: "Do I like their work? Can I learn something from their style?"

2. Are spouses or partners encouraged?  (In only one of the 4 tours above were some spouses along - and it was a definite drawback in that they had only passing interest in photography. They also made, in my opinion, wind-down and meal times less interesting, less focused on photography.)

3. How big a group? Photo tours can have anywhere from 2-48 members from what I can tell.  Again, in the case of the four I've been on, the participant numbers (sans instructors) were 2, 5, 6 and 18. The three smaller groups were definitely more interactive than the larger group, though I will give the leader of that group credit for really interacting with everyone, especially the photographers in the group (this was also the tour with a number of spouses along). I'm still in touch with folks in the 2, 5 and 6 person groups; not the 18 person group, other than the instructor. 

4. Am I getting value for the money?  When I booked the India tour (Rajasthan including the Pushkar Camel Fair), I had the choice of about 1/2 dozen photography tours offered by different photographers with tours ranging from $4K to $8K. I knew where in India I wanted to go and tried to match it as closely as possible. And my real desire was to spend a 5-7 days in Pushkar, which narrowed the choice down to 2! I also wanted to stay in local-style hotels and guest houses than 4* and 5* accommodations.

These are all considerations in matching your interests, your preferences and your wallet to the right tour.  And, in reality, I think its hard to go too wrong when you're traveling with photographers who are also travelers!

One Way to Make Subjects "Pop"

During a visit to Wales, I attended the Llangollen International Musical Eisteddfod, an engaging event focused on music and dance. As with many such festivals, getting the right angle for a photograph is difficult, especially when dealing with the background. One of the dance performances featured a whirling dervish, all clad in white. The beautiful trance-induced movement was mesmerizing. And, as a photographer, I want to get "just the right shot."    

My favorite image was this one, with the "whirling skirt" in motion, forward facing and nice hand gesture. But then there's the background. The stage was surrounding on all four sides by viewers and folks in constant movement (just like the Dervish). The gentleman in red was a particular distraction photographically. While I use Adobe Lightroom for 99.9% of my edits and adjustments, this was clearly a case where something more would be needed. There are techniques in Photoshop to totally strip away the background. But, to me, that seems a bit dishonest - he was performing (which is not a word I like to associate with the Whirling Dervishes since they make it clear that its really a religious experience for them) in front of a crowd.

So I utilized a different Photoshop technique - changing the background to black and white and then reducing the background's brightness and saturation. Using layers and lassos is not a quick process,  but worth it in this instance.

The viewers are still there - so the setting is real - but now the Dervish visually "pops" out. The only remaining color are his hands and conical felt hat. This, by the way, explains the need to tone down the background, not just convert it to black and white.