Three For One

I've been examining photographs that I originally shot in 2007 for a potential new photo book.  One of the many photographs that caught my eye years ago was, nonetheless, not quite "right" to my eye. I loved the motion of the Asian dancers but the considerable blank space in the middle was a bit discomforting. Still, I liked it but never did anything with it, like print or share.

Then came this evening. I reexamined the photo some seven years after its initial creation (that IS what photographers do, by the way - create!) to see what I could do.  And, not fearing to crop, I saw that the original actually contained within it two singular photos - the dancers on the right and the dance on the left. I love the cacaphany of colors in the right hand figures, and the barely visible yet recognizable face of the main dancer. Did a little bit of exposure compensation to bring out the colors a bit more, but otherwise as shot.
 

 

 

I then focused on the figure on the left and while an equally colorful subject, I did some experimentation and ended up with another point of view - that of emphasizing the motion, deemphasizing the color, and making it more ethereal. 

So, with one click of the shutter, three photographs emerged.  Would it have been better to have taken three separate photos - one of the groups (as shot), one of the dancers on the right, one of the dancer on the left? Oh, ideally, especially if one wants to do large scale enlargements.  But during a performance, there's not always time (actually, rarely the time) to set up images in advance. Work with what you have.

Distinctive Portfolio

A distinctive photographic vision is the key to success in photography.  The works of Ansel Adams, for instance, are readily obvious, even though the photographs were, for the most part, taken in places where countless thousands of other photographers have also practiced their craft.

Lois Greenfield also has such a distinctive vision.   One of her specialties is dance, a subject that vacation and travel photographers run into from time to time at a festival or street fair. Many are in sharp focus, while others use motion to convey action - one of my personal favorite techniques. Her photography of Sham Mosher, the 1st one in her "Airborne" portfolio, is one of my favorites.  And her entire portfolio is worth a gander for multiple examples of shape and design as key factors in dance and motion photography.  http://www.loisgreenfield.com/galleries/airborne/index.html